About The Artist

Joan Scheibel is a contemporary abstract painter currently living and working in Los Angeles. Scheibel received a full scholarship from the prestigious Otis/Parson College of Art and Design and would later study Illustration at Platt College of Design. Scheibel established a prominent seventeen-year career in graphic design owning a business that was at the forefront of album packaging, branding and advertising. As a venerable professional in both packaging and marketing, Joan’s client list included notable clients such as Capitol Records, Universal Records, Cherry Music and many others. Her career spanned every genre of music and she created the cover art for Meredith Brooks’ iconic song, I’m A Bitch, which would go on to be an international #1 single.

Turning her attention inward for a more personal form of expression, Joan has pursued a fine art career for nearly a decade. Her work quickly earned acknowledgement from collectors, peers, and galleries throughout California, New York, New Mexico and Las Vegas, NV. She is a consistent winner of the juried ArtSlant Showcase awards given to emerging and mid-career artists that exhibit both great potential and commitment to their practice.

“My Shadow appeared and I started painting. Guess we can never escape ourselves.”


I’m often asked about my process.

I feel it’s not really a process so much as a way of life. Like all of us, I see things that move me in life — a shadow, a dance, a church or just everyday objects. It’s as if an engine switches on in my brain and it won’t stop until I reimagine that image — and send it back into the universe on canvas. Suddenly and finally, the image that grabbed me, is reconstituted to grab you. The universal eye.

I’m always looking for an image, a feeling, a moment. Often while I’m looking, something out of left field surprises me. But it finds its way to me because I’ve opened myself up. I don’t judge, I observe, I accept.

Back in my studio, I create a mise en scene. I surround myself with the right brushes, paints, graphite, pastels etc. and start to experiment with color combinations on palettes. I print out images to work from, and tape them on the wall over my table. Choosing the sizes of canvasses to be stretched forces me to start planning the series. I work in layers, letting each layer dry before painting another usually working from light to dark.

There’s always this seductive tension between what I intend versus what I’m creating. Only when I’m done, do I step back and see I’ve put something crucial into the piece I wasn’t even aware of. Something that surprises me or something that brings the whole piece together. This is the moment you paint for, when effort and exertion give way to a divine creation. It was there all along, I just had to find it. It’s full circle, a life cycle. And then I put it out, back into the universe, and watch people have their reaction, their moment. I always love to hear what viewers see in my work…when someone points out something I never saw in my own painting. That’s the moment when that invisible wire that connects us all, vibrates. And it makes me want to go home and paint again.